Archive for May, 2010

iN-PUBLIC Compilation Book

Monday, May 31st, 2010

The folks over at iN-Public have just recently put out a street photography compilation of 200 images by their photographers over the past 1o years. Appropriately and simply titled 10 I’d imagine this might be an interesting resource for finding some work beyond the household street photographer names, and to maybe see some new locations too. Check it out here. The price is about what you’d expect for a boutique hardcover….actually maybe a bit less.

Aaron Huey’s TED Talk; Pine Ridge Indian Reservation

Sunday, May 30th, 2010

Photographer Aaron Huey gives a moving presentation on the state and his documentation of the Lakotah tribe of the Black Hills. It is a tragic and striking reminder of our history as a nation and a revealing look at the current state of life and struggle within the reservation. Altogether Huey’s photographs are beautiful and inspiring.

The Portfolio Of…

Sunday, May 30th, 2010

Bas Uterwijk

The Portfolio of…

Friday, May 28th, 2010

Molly Landreth

On Covering the Deep Water Horizon Oil Spill

Thursday, May 27th, 2010

Really? Attempted cover up? Too late for that… #FU #BP

More Here:

The Portfolio of…

Saturday, May 22nd, 2010

StudioBooth

The Portfolio of…

Saturday, May 22nd, 2010

Jennifer Warren

TED and photographers; presentations that help shape our world

Friday, May 21st, 2010

Petapixel, normally a gear-head mecca of information, has compiled a list of 14 TED presentations by photographers. Many of you may be familiar with James Nachtwey’s 2007 TED award and subsequent speeches, which is only one instance of the TED organization using photography and photographers to mobilize social education and change.

The presentations include David Griffin, Jonathan Klein, Taryn Simon, Frans Lanting, Edward Burtynsky, Nick Veasey, Yann Arthus-Bertrand, Kristen Ashburn, Ryan Lobo, Chris Jordan, Rick Smolan, Wade Davis, Phil Borges and James Nachtwey. Many of the presentations relate the importance of photography in a tangible way. While several of the others provide evidence for the changing of our world and for a betterment of society.

All of the Ted talks involving photography can be found on their website.

LUCEO talks heART for HAITI

Thursday, May 20th, 2010

Potential bidders were recently invited to Aperture Gallery in New York City to see a bevy of work and learn how to bid online for art. The auction will benefit Doctors without Borders/Medicines Sans for Haiti Earthquake relief, and include a variety of photography and works of illustration.

Photos like Martin Schoeller’s portrait of Barack Obama, published in a 2004 Gentleman’s Quarterly magazine has already received a $400 bid online.

Members from LUCEO collective were asked to participate in the auction.

“Sally Berman is one of the good people behind the auction and reached out to us for donations,” said David Walter Banks, who donated photographs amongst other collective members Kendrick Brinson and Matt Slaby. “Sally has been a good friend to LUCEO since her time running the photography department at XXL Magazine, and she’s now on to some great new projects including RESPECT Magazine and her company, Run Red Creative.

“I sent over a handful of options to Sally and she selected the roundup photograph,” wrote Slaby, who is based in Denver. “That picture is the lead image from a large story that ran in January’s edition of Mother Jones…The story is about prisoners who gentle mustangs as part of their rehab in Wyoming’s correctional facilities.”

(©Matt Slaby/LUCEO, 2009)

“I made a few trips to the prison to explore the story and was particularly interested in seeing where the horses come from.  I scheduled a trip to the prison with dates that overlapped a roundup on nearby BLM land and hit both aspects of the story at once.  In the photograph that is being auctioned, government contractors are using a helicopter to move a herd of wild horses into a trap they have set for them just off camera.  The horses are slowly moved across the landscape until they reach the open end of a large, funnel-shaped chute.  Once they’re in the chute, the helicopter comes in quite a bit lower and pressures the horses to run towards the trap.  Once they’re in, the gates are closed and the horses are then sorted, vaccinated, and branded.  The aim of the roundup is to keep target herd numbers on the range by removing or fertility treating excess horses.  A certain number are not re-released and, instead, end up being adopted or in the prison programs.”

(©Kendrick Brinson/LUCEO, 2010)

“It’s often tricky for me to choose a photo that people would want to hang on their wall because you want it to be universal and beautiful, and you want it to stand alone without the rest of the body of work beside it,” wrote Kendrick Brinson, who is spending time in 2010 to document life after retirement in the Southwest. “It’s a favorite of mine from my Sun City: Life After Life essay I’ve been working on this year in Arizona.”

(©David Walter Banks/LUCEO, 2008)

“Sally has always been great to me, so of course I was happy to make a donation,” wrote Banks, who donated a frame from his Cannabis Culture series. “I pulled it for consideration because I’ve been thinking about working more on the project lately.  From the handful that I pulled, Sally selected the photograph of a girl trimming drying marijuana plants in a green room.  The image has an extra surreal layer with the girl wearing a Mickey Mouse shirt, and hopefully will be interesting enough to make the auction some money.”

The whole group was excited to help Doctors without Borders/Medicines Sans for Haiti Earthquake relief.

Kendrick noted, “I’m super thrilled to have our images up there with photos by so many talented photographers. LUCEO is always excited to be included in any art-related charity that goes to a great cause like this one.”

You can see quite a diverse selection of photographs and visit the auction’s website here:

heART for HAITI

There is an ABSENCE in our Presence.

Wednesday, May 19th, 2010

For over three years Ashley Gilbertson has been investigating the less than tangible affects of war through a body of work focused on the bedrooms of deceased U.S. soldiers left intact by their families. In this work Bedrooms of the Fallen, Gilbertson seeks to explore the effects of war from a nuanced standpoint while paying homage to the lives of the fallen. Discussing the work, Gilbertson states “…This is the closest I’ve ever got to explaining to people— who haven’t experienced what I have—what war is”. Indeed, the body of images achieves a haunting success by quietly distilling everything—the ultimate personal effects of war, the null potential of lost lives, the details left behind, the loved ones who bare witness—into the thinning air of absence that ultimately encompasses bereavement. From an individual and grippingly honest standpoint, Gilbertson further discusses some indisputably humane ideas in his recent interview regarding Bedrooms of the Fallen in VII Magazine.

When viewing this work in the context of his interview with VII Magazine, another message becomes clear through Gilbertson’s discussion of how the attention deficits of our society and our media neglect to consider the long term personal, psychological and emotional fallout of our war theater. By closely coupling these quietly powerful photographs with the striking personal standpoint of the photographer, a further question might be posed: Have we come closer in turning the corner from medium is the message to the messenger is the media?